Photograph: Shane Rounce on Unsplash

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Warm sunlight dissolving into soft circles of light

Photograph: Shane Rounce on Unsplash

Course plan · Enrolment not openImagination and cultural reading · Self-paced

Write with photographs, artworks and visual encounters

With Shane Rounce

I want to build write with photographs, artworks and visual encounters around original exercises, practical feedback and a finished project. This plan bundles related themes into one clear learning route; the actual lessons, reading permissions and teaching arrangements still need producing and confirming.

4 weeks16 learning hoursSelf-paced

I’m developing this course as part of Learn Courses. This is the full teaching plan, ready to review before I produce the lessons and open enrolment.

IS THIS FOR YOU?

Who I’m building this for

Poets, photographers and visual artists.

Before you begin

A notebook or accessible writing tool and a way to read the supplied text-first material.
No formal writing qualification is required. Bring existing drafts if useful, or start with the original prompts supplied for the course.
Use my own work, public-domain material or expressly permitted sources. Sharing personal experiences is optional.

PROPOSED COURSE FEE

£79

Provisional planning figure, not an approved price, booking invitation or promise of availability. The estimate assumes reusable self-paced lessons and bounded support. Lesson production, access period and the feedback model need costing before sale. Tax treatment and any concession scheme need review before launch.

Planning price only. Enrolment is closed and no payment is taken.

Explore a sample learning space →

The sample is fictional. It is separate from this course’s future lessons.

A PRACTICAL NEXT STEP

What you’ll be able to do

Make a precise observation sheet for my own or rights-cleared artwork.
Draft a poem that argues with, addresses or moves beyond the artwork rather than describing every detail.
Create a paired page with a readable caption, credit and alternative text.
Prepare two original poems with a note explaining the role and rights of each visual source.

THE TEACHING PLAN

Your next 4 weeks

A clear route through the subject, with something to make, test or reflect on at every stage.

MODULE 1

Look before explaining

I want this session to develop look before explaining through a short original demonstration, a guided experiment and a revised piece. I separate an observable craft decision from a matter of taste and leave room for different voices.

Your practical activity: Make a precise observation sheet for my own or rights-cleared artwork.
How I’ll check your understanding: Submit the exercise and a short craft note: make a precise observation sheet for my own or rights-cleared artwork. Show one deliberate choice, an alternative I tried and what I changed after review. Feedback addresses the work rather than judging the writer’s life or requiring agreement with a particular viewpoint.

MODULE 2

Choose the relationship

I want this session to develop choose the relationship through a short original demonstration, a guided experiment and a revised piece. I separate an observable craft decision from a matter of taste and leave room for different voices.

Your practical activity: Draft a poem that argues with, addresses or moves beyond the artwork rather than describing every detail.
How I’ll check your understanding: Submit the exercise and a short craft note: draft a poem that argues with, addresses or moves beyond the artwork rather than describing every detail. Show one deliberate choice, an alternative I tried and what I changed after review. Feedback addresses the work rather than judging the writer’s life or requiring agreement with a particular viewpoint.

MODULE 3

Combine image and text

I want this session to develop combine image and text through a short original demonstration, a guided experiment and a revised piece. I separate an observable craft decision from a matter of taste and leave room for different voices.

Your practical activity: Create a paired page with a readable caption, credit and alternative text.
How I’ll check your understanding: Submit the exercise and a short craft note: create a paired page with a readable caption, credit and alternative text. Show one deliberate choice, an alternative I tried and what I changed after review. Feedback addresses the work rather than judging the writer’s life or requiring agreement with a particular viewpoint.

MODULE 4

Revise the encounter

I want this session to develop revise the encounter through a short original demonstration, a guided experiment and a revised piece. I separate an observable craft decision from a matter of taste and leave room for different voices.

Your practical activity: Prepare two original poems with a note explaining the role and rights of each visual source.
How I’ll check your understanding: Submit the exercise and a short craft note: prepare two original poems with a note explaining the role and rights of each visual source. Show one deliberate choice, an alternative I tried and what I changed after review. Feedback addresses the work rather than judging the writer’s life or requiring agreement with a particular viewpoint.

PUT IT INTO PRACTICE

Your final project

Prepare a short original portfolio that joins the four module experiments into a coherent result. Include draft and revision evidence, a source-and-influence note and a short reflection explaining the craft decisions. A fictional or indirect route is always acceptable; personal disclosure and public publication are optional.

What you’ll produce

Look before explaining: the original exercise, a revised version where relevant and a short account of the chosen approach.
Choose the relationship: the original exercise, a revised version where relevant and a short account of the chosen approach.
Combine image and text: the original exercise, a revised version where relevant and a short account of the chosen approach.
Revise the encounter: the original exercise, a revised version where relevant and a short account of the chosen approach.
A concise project statement, source-and-rights record and revision or testing log.
A clear statement of what I am willing to share and what must remain private.

What good work looks like

Intent and craft: 30 marks for purposeful choices that the submitted work demonstrates.
Development: 25 marks for meaningful experiments, revision and an explained response to feedback.
Coherence and usability: 25 marks for an integrated portfolio or practical pack suited to its intended audience.
Reflection and sources: 20 marks for clear process notes, honest attribution and appropriate privacy boundaries. Completion requires at least 70/100, all exercises and correction of any unresolved source-rights or privacy issue. Literary taste, personal disclosure, publication acceptance and sales are not marking criteria.

Resources for your learning

An original demonstration and an exercise sheet for look before explaining.
An original demonstration and an exercise sheet for choose the relationship.
An original demonstration and an exercise sheet for combine image and text.
An original demonstration and an exercise sheet for revise the encounter.
A rights-cleared reading or reference packet with accessible formats and brief source notes.
A portfolio or campaign workbook, revision log, peer-feedback guide and completed capstone reference.
An assessment rubric and an equivalent-access evidence template.

A course you can access

Provide text-first lessons, edited transcripts and captions for every recording.
Support screen readers, keyboard navigation, readable formatting and low-bandwidth downloads.
Offer equivalent written or recorded evidence; live attendance and rapid spoken responses are not required by default.
Allow an invented or indirect writing route and private tutor submission where a subject feels personal. Provide content notes and a clear support boundary before enrolment.

FINISH WITH SOMETHING USEFUL

How you’ll complete the course

Complete the four original exercises and a revision or testing record.
Submit the capstone with a source-and-influence statement and meet the published 70/100 rubric.
Respond to feedback or explain a reasoned decision to retain the original choice.
No public performance, personal disclosure, external publication or commercial sale is required. Completion is internal recognition of assessed work, not external accreditation.

Completion will describe the work you have done. No external accreditation or professional qualification is claimed.

BEFORE I OPEN ENROLMENT

What I still need to finish

I’ll turn this plan into a delivered course once the teaching material and the learning service are ready.

Write and review the original lessons, exercise sheets, assessment guidance and reference submissions for this exact plan.
Confirm who is qualified and available to teach or review the subject. Shane is the proposed course owner; this plan does not claim another poet has agreed to teach or that Shane holds a specialist qualification.
Select an original, public-domain or licensed reading packet and complete the source-and-rights ledger before uploading any text, image or recording.
Pilot the complete course with access testing, realistic study time, feedback turnaround and an alternative route for each required activity.
Approve the fee, tax treatment, refund terms, access period, moderation and support boundaries before accepting bookings.
Test server-side paid access, private submissions, tenant isolation, asset permissions and payment reconciliation before enrolment.
Publish truthful course status and tutor details only after agreement; do not present Poetry School’s tutors, course brands, student work or private teaching materials as mine.

The ideas behind the course

My published articles are background reading for this plan. The full lessons, activities and assessment material still need producing.

autumn 2026 quick course guide

EXPLORE THE ACADEMY

See how the learning space feels.

Try the fictional learner demo →